PERLENSAU – The Forumist https://theforumist.com Urban Lifestyle Magazine Tue, 03 Dec 2024 09:41:27 +0000 en-US hourly 1 https://wordpress.org/?v=6.7.4 https://i0.wp.com/theforumist.com/wp-content/uploads/2020/02/cropped-theforumist-fav.png?fit=32%2C32&ssl=1 PERLENSAU – The Forumist https://theforumist.com 32 32 122757213 Intersection https://theforumist.com/intersection/ Fri, 07 Jun 2024 16:23:04 +0000 https://theforumist.com/?p=31746 In the rapidly evolving landscape of interactive entertainment, the fusion of traditional art forms with virtual worlds is a burgeoning frontier. A prime example of this innovative intersection is the collaboration between 10 Chambers, the game studio behind the anticipated title “Den of Wolves,” and the visionary artist Issa Salliander. This partnership has resulted in a unique melding of gaming and fine art, pushing the boundaries of both mediums.

A few weeks ago, the exhibition titled, “Den of Wolves x Issa Salliander,” showcased Issa’s unique art pieces within the game. Held in an old church in Stockholm, the event added an extra layer of mystique and grandeur. The showcase featured dynamic installations, interactive displays, and a bridge between traditional and contemporary artistic expressions. A visual feast, it drew enthusiasts from both the art and gaming communities. 

The collaboration between 10 Chambers and Issa Salliander was born out of mutual admiration and a shared vision. 10 Chambers, known for its immersive and challenging games, sought to infuse “Den of Wolves” with artistic elements that would enhance the game’s atmosphere and player engagement. The idea of collaborating with artists outside the typical gaming space was appealing to the team, many of whom have backgrounds in diverse industries.

“We’ve always been interested in collaborating outside the typical space of gaming,” 10 Chambers CEO and Creative Director, Ulf Andersson explains. “This idea came out organically as we hung out together with Issa. We see ourselves as creators in different fields, and it all came out so naturally.”

Issa, drawn to the aesthetics of video games, found this opportunity intriguing. “It seemed natural and fresh to explore and see my medium translated into this fascinating and free world,” she reflects. “In traditional art, we’re often concerned with the roles of the viewer and the author of a work. The gaming world adds a third party, the user. This has in turn made a whole universe of new conceptual art theories/possibilities available for us to study. I think the art world will eventually follow suit and start placing more art in this environment.”

One of the key elements that made this collaboration successful was the creative freedom afforded to Issa. 10 Chambers emphasizes the importance of allowing artists to explore their vision without constraints. “When we work with talent—especially artists—we often give them as much creative freedom as possible to create something different from what we would create,” Ulf notes.

Issa echoes this sentiment, highlighting the seamless nature of their collaboration. “We understood each other with zero barriers. It’s exciting exploring the psychology of masks and what humans inherently are drawn to when real-life consequences are removed.”

The integration of Issa’s artwork into “Den of Wolves” significantly enhances the game’s atmosphere and immersion. Masks, a central theme in the game, are brought to life through Issa’s unique artistic style. “Different players will prefer different masks in the game, and it will be interesting to see which of them finds Issa’s masks most immersive for them while carrying out heists,” Ulf comments.

From Issa’s perspective, the virtual environment offers unparalleled opportunities for artists. “The industry is bigger and their reach incomparable. I’m honored to have been asked to cross over to the new popular culture and I’m hoping for symbiosis.”

This collaboration not only enriches the gaming experience but also sets a precedent for future partnerships between artists and game developers. 10 Chambers is optimistic about the potential of such collaborations to push the boundaries of both gaming and art. “Hopefully, when the game is released and you see it in action, it will prove that collaborations like this work well and bring more on board to collaborate outside of their silos,” Ulf says.

Issa, too, is excited about the future, expressing a desire to continue exploring the intersection of art and the virtual world. “I’ve had the time of my life, so let’s see where we take it from here. I’m very excited about the future.”

We can’t wait to see what comes next. 

DEN OF WOLVES


Team Credits:
Words by Hannah Magnusson
Photography by John Scarisbrick
Styling by Sandra Ekenstam
Grooming Elvira Brandt
Special thanks to 10 Chambers & Part Projects

Fashion Credits:
3) Dress by ALECTRA ROTHSCHILD / MASCULINA. Rings by THBLKDR.
4) Dress by ALECTRA ROTHSCHILD / MASCULINA. Neckless by PERLENSAU.
5) Jacket by KHÉLA. Dress by Linda Dekhla. Pants by Tasha Goodhew. Shoes by Viròn x Collina Strada.
6) Issa wears a dress by ALECTRA ROTHSCHILD / MASCULINA. Neckless by PERLENSAU.
11) Top by EVADE HOUSE.

]]>
31746
Dust Chronicles https://theforumist.com/dust-chronicles/ Wed, 17 Apr 2024 12:02:41 +0000 https://theforumist.com/?p=31633 LA-based Swedish twin duo Say Lou Lou is embarking on a journey woven with creativity and sisterhood. On the day of the launch of their latest EP, “Dust Pt.1” they are exploring the emotional landscape of heartbreak.

In the hushed, dimly lit backstage of a bustling venue, amidst the faint scent of anticipation and the electric hum of pre-performance nerves, Say Lou Lou finds themselves in familiar territory. For the twin sisters behind the artist name, Miranda and Elektra Kilbey, music isn’t just a passion—it’s a way of life, a shared journey woven into the very fabric of their existence.

Growing up under the sway of musician parents, the sisters found themselves navigating the peculiar blend of embarrassment and inspiration that comes with being raised in a musical household. “You find yourself sitting backstage waiting to play a show in a smelly, tiny venue in the middle of nowhere and you’re like ‘SHIT’!” Miranda chuckles. “We don’t have anything to compare to, but having our parents and other family members in music and theatre made us feel like expressing ourselves through music, visuals, films, etc. was a natural and essential part of life.”

Their journey as collaborators has mirrored their personal growth, evolving alongside the ebb and flow of their relationship. “Learning to have more patience and gratitude and acceptance for our individual selves has made it easier to have it for each other,” Elektra reflects. “But with that said, a part of our dynamic is really close and intense (both in a fantastic and sometimes chaotic way) and it’s a part of what gives our project energy and life but also makes it hard to handle and frustrating for others to be around.”

Their latest EP, “Dust, Pt.1,” serves as a poignant exploration of the emotional terrain of heartbreak. Through their music, the sisters have found catharsis and growth, gaining new perspectives on love and loss. “The only way through is through, and when you’re in it, you’re in it but it’s so temporary,” Elektra reflects. “You’ll always come out on the other side with more wisdom and clearer perspectives.”

The unique bond of twinship infuses every chord and lyric, shaping both their personal lives and their artistic endeavors. “Having an unbreakable closeness, synchronicity and understanding makes us secure and confident,” Miranda explains. “There’s always someone to give you a reality check, an honest answer, someone who can tell what you’re thinking without you having to say a word.”

Yet, with closeness comes challenge, as the sisters navigate the pitfalls of shared insecurities and inner criticisms. “Our shared inner criticisms can get in our way a lot,” Elektra admits. “We’ve gotten better at seeing studio time as a fun way of bonding and deepening our love and respect for each other’s differences rather than fixating on each other’s flaws and insecurities.”

Relocating to Los Angeles, a city steeped in dreams and creativity has added a new dimension to their musical odyssey. “LA is such a strange and interesting place,” Miranda muses. “There’s no center, it’s so spread out and everyone is tucked away in secret hiding places that you don’t find unless someone introduces you to them.”

As they look to the future, Say Lou Lou is poised on the brink of new horizons, with plans to release singles and EPs leading up to their album ‘Dust Pt.2.’ Yet amidst the whirlwind of their musical journey, the sisters remain grounded, cherishing the simple pleasures of life’s quieter moments. “Finding time for doing nothing, swimming in the ocean, going on long walks with our dogs,” Elektra smiles. “These are the things that keep us inspired and alive.

Team Credits:
Words by Hannah Magnusson
Photography by Ellen Nykvist at MINK MGMT
Styling by Sandra Ekenstam
Makeup by Jasmine Ärnström at Mikas Looks
Hair by Amanda Lund at Lund Lund
Photo assistant: Lisa Larsson

Fashion Credits:
1) Miranda wears top by Hildur Evenlind. Skirt by Korlekie. Tights by Alisa Cayoo. Boots by Rombaut. Rings by Sara Robertsson and Laôma Atelier.
2) On the left: Elektra wears a Bolero and skirt by Linda Dekhla. Sleeves by Hildur Evenlind. Stockings by No Dress. Mules by & Other Stories. Rings by Laôma Atelier.
On the right: Miranda wears a top and skirt by Anna Lastro. Knee-high boots by ATP Atelier. Elektra wears two different tops by Albin Granaas. Trousers by Christian Dior. Earrings by Freya Douglas Ferguson.
3) Miranda wears a top by Keta Gutmane. Skirt by Hildur Evenlind. Tights by Alisa Cayoo. Mules by Tiger of Sweden. Rings by Sara Robertsson and Laôma Atelier.
4) Miranda wears a top and skirt by Anna Lastro. Knee-high boots by ATP Atelier.
5,6) Miranda wears top by Hildur Evenlind. Trousers by Lowe Lind- blad. Elektra wears top by Hildur Evenlind and skirt by Wera. Rings by Sara Robertsson and Laôma Atelier.
7) Miranda wears dress by Albin Gra- naas. Elektra wears two different tops by Albin Granaas.
Trousers by Christian Dior.
8) Elektra wears a leather jacket by Keta Gutmane. Flaming bra by Perlensau. Skirt by Albin Granaas. Boots by Tiger of Sweden.
9&10) Elektra wears Earrings by SYDORIA.
11) Elektra wears blazer sleeves and a corset by STHLM MISC. Earrings by SYDORIA.
12) Miranda wears top and skirt by Anna Lastro.
13) Miranda wears top by Hildur Evenlind. Trousers by Lowe Lind- blad. Elektra wears top by Hildur Evenlind and skirt by Wera. Rings by Sara Robertsson and Laôma Atelier.
15&16) Miranda wears top by Hildur Evenlind. Trousers by Lowe Lind- blad. Elektra wears top by Hildur Evenlind and skirt by Wera. Rings by Sara Robertsson and Laôma Atelier.
17) Elektra wears top and skirt by Linda Dekhla. Sleeves by Hildur Evenlind. Stockings by No Dress. Rings by Laôma Atelier.
18) Miranda wears coat by Keta Gutmane. Rings by Sara Robertsson. Boots by Rombaut.

]]>
31633
Committed https://theforumist.com/committed/ Sun, 26 Mar 2023 13:29:21 +0000 https://theforumist.com/?p=29388 Fashion can be a way to celebrate and embrace beauty and diversity. It has the power to connect people from different walks of life through self-expression and creativity. It brings a way to break down societal barriers and challenge stereotypes by showcasing different aesthetics, and perspectives. Let’s commit and let’s celebrate individuality.

Team credits:
Photography by Lara Ohl
Styling by Rachel Colles
Hair & Makeup by Isabel Simoneth
Model: Sarah Saxinger at A Management
Photo assistant: Hieronymus Ahrens
Special thanks to Studio Glas

Fashion credits:
1,5 & 8) Blazer by Gloria Wille, vintage tie, skirt, and cropped YSL blazer from Hahayoureugly.
2) Hat; stylists own, Fendi top and skirt from Hahayoureugly, socks by Gloria Wille, and shoes by Prada.
4) Top by Mugler, earrings by Perlensau, Max Mara skirt from Hahayoureugly, and shorts by Gloria Wille.
6) Neckless by Perlensau and jacket by Damur Fashion.
7) Alexander McQueen Blazer from Balkanciaga, corset by Naomi Tarazi, skirt by Prada from Balkanciaga, socks by Mimi Bork, shoes; photographers own, and bracelet is worn around the foot by Perlensau.
9) Corset; stylist own, shirt by Jean Paul Gaultier from Balkanciaga, pants by Gloria Wille, and shoes by Ganni.
10) Vintage top from Hahayoureugly, neckless by Perlensau.

]]>
29388
Cyber Garden https://theforumist.com/cyber-garden/ Sat, 21 Aug 2021 15:19:22 +0000 https://theforumist.com/?p=26770 The place of incredible weirdness, where all you touch is unreal. You’re watering your metal flowers, while you realize how thirsty we are for the progress of time. Soldiers of the future, feel the flower that you have grown of your seed of desire stabbing into your heart. It’s surrounding you and pulls you deeper into the ground. Welcome to your Cyber Garden.

Team Credits:
Photography by Paula Nietner
Styling by Kira Sarem
Hair & Make-Up by Sefanie Mellin
Model: Debora Goulart at ONEeins fab Management
3D Art: Sally Wolf

Fashion Credits:
#1 Dress by Haram
#2,4 & 8 by House of Namaste
#3 Dress by Laura Gerte
#6 Headpiece by Haram
#7 Dress by Agnieszka Osipa. Headpiece by PERLENSAU
#9 Dress by VLK Berlin. Accesories by Naomi Tarazi

]]>
26770
Generation Q https://theforumist.com/generation-q/ Wed, 07 Jul 2021 12:42:00 +0000 https://theforumist.com/?p=26590 The girls just want to have fun, the boys like to make noise! Don’t you worry, we haven’t lost our ways. We are a united generation with a big heart and even bigger dreams.

Team Credits:
Photography: DEBORA SPANHOL
Styling : ARKADIUSZ SWIETON
Model: CLARA MARKFORT
Styling Assistant : DOMINIK BITTMANN

Fashion Credits:
#1&2 Shirt CATALOGUE OF DISGUISE, corset MADOMORPHO, tights FALKE, earrings ADRIANE LILA FECKE, shoes ALEXANDRU PLESCO
#3&4 Jacket ALEXANDRU PLESCO, skirt CATALOGUE OF DISGUISE, tights FALKE, shoes ALEXANDRU PLESCO, choker PERLENSAU
#5 Top MADOMORPHO, belt PERLENSAU, pants CATALOGUE OF DISGUISE, shoes MARIA ANTONIA KOPYTKO
#6 Shirt Y/PROJECT, coat CATALOGUE OF DISGUISE, earrings ADRIANE LILA FECKE, shoes STUDIO SGMH, tights FALKE
#7 Bra PERLENSAU, coat CATALOGUE OF DISGUISE, panty STUDIO SGMH,
tights FALKE, earrings ARKADIUSZ SWIETON, shoes MARIA ANTONIA KOPYTKO
#8 Shirt VERSACE, earring ADRIANE LILA FECKE, coat STUDIO SGMH
#9 Shirt ALEXANDRU PLESCO
#10 Shirt MARNI, earring ADRIANE LILA FECKE

]]>
26590
Trachten https://theforumist.com/trachten/ Fri, 22 Jan 2021 18:09:10 +0000 https://theforumist.com/?p=25123
This is a series of seven medium-format portraits combining traditional German traditional costumes with fetish accessories. The project entwines these two seemingly disparate worlds, merged in the German capital, and explores themes of tradition, history, identity, sexuality, and time. The accessories were created by using hand-embroidered textiles from the stylist’s family possession from several generations. TRACHTEN reimagines German attire; A style that suits the radical changes that happened over time in this country.

Team Credits:
Photography by Natalie Rose Dodd
Art Direction & Styling by Ules Rumpf
Hair&Make Up: Katharina Handel
Models: Katharina @ Let It Go Management
Anette, Naima @ M4 Models Management, Anna, Lore @ IZAIO Management & Julia @ IZAIO Management
Text by Eliza Levinson

Fashion credits:
#1 Beaded Jacket  JULES RUMPF, Leather Harness PERLENSAU
#2 Headpiece+Collar JULES RUMPF, Silver Hairclip + Earrings JOHANNA GAUDER, Rings used as scarf buckle RÄTHEL&WOLF, Top MAISON MARTIN MARGIELA
#3 Small Gold Earcuff + Small Silver Earcuff JOHANNA GAUDER, Large Silver Earcuff + Silver Rings RÄTHEL&WOLF, Choker JULES RUMPF, White Rib Top Vintage, Embroidered Net Cuffs JULES RUMPF
#4 Headpiece JULES RUMPF, Silver Earrings JOHANNA GAUDER, JOHANNA GAUDER X RICHTER BEIL, Silver Neck-lace JOHANNA GAUDER, Sheer Vest MAISON MARTIN MARGIELA, Camisole SOUP ARCHIVE
#5 Headpiece JULES RUMPF, Leather Choker PERLENSAU, Vinyl Vest COMME des GARÇONS
#6 Beaded Mask JULES RUMPF, Silver Necklace JOHANNA GAUDER, Jacket SOUP ARCHIVE, Fine Rib Undershirt Vintage
#7 Silver Earcuff RÄTHEL&WOLF, Gold Earring JOHANNA GAUDER, Ruffle Collar JULES RUMPF, Leather + Metal, Harness PERLENSAU, Fine Rib Undershirt Vintage

]]>
25123